acústica musical

temas generales

• Ballou, G.M. [ed.] (1991): Handbook for sound engineers. Sams.
• Benade, A.H. (1976): Fundamentals of musical acoustics. Dover
• Beranek, L.L. (1969): Acústica. Hispanoamericana.
• Blauert, J. (1999): Spatial hearing. The MIT Press.
• De La Motte-Haber, H. (1985): Handbuch der Musikpsychologie. Laaber.
• Deutsch, D. [ed.] (1982): The psychology of music. Academic Press.
• Everest, F.A. (1994): The master handbook of acoustics. TAB Books.
• French, A.P. (1980): Vibraciones y ondas. Curso de física del Instituto de Tecnología de Massachusets (MIT). Reverté.
• Hall, D.E. (1980): Musical acoustics. An introduction. Wadsworth.
• Hartmann, W.M. (1997): Signals, sound, and sensation. Springer.
• Helmholtz, H. (1954): On the sensations of tone (as a physiological basis for the theory of music). Dover.
• Kinsler, L., Coppens, A., Frey, A. y Sanders, J. (1991): Fundamentos de acústica. Limusa.
• Leipp, E. (1984): Acoustique et musique. Masson.
• Leipp, E. (1977): La machine a écouter. Essai de psycho-acoustique. Masson.
• Moore, B.C.J. (1997): An introduction to the psychology of hearing. Academic Press
• Olson, H.F. (1952): Musical engineering. McGraw-Hill.
• Pickles, J.O. (1988): A introduction to the physiology of hearing. Academic Press.
• Pierce, J., Bergeijk, W.A. y David, E.D. (1963): Las ondas y el oído, EUDEBA.
• Pierce, J. (1985): Los sonidos de la música. Labor.
• Rayleigh, J.W.S. (1945): The theory of sound. Dover.
• Seashore, C.E. (1938): Psychology of music. Dover
• Tribaldos, C. (1992): Sonido profesional. Estudios de registro profesional. Paraninfo.
• Winckel, F. (1967): Music, sound, and sensation. Dover.

temas seleccionados

instrumentos musicales

• Benade, A.H. (1980): Wind instruments and music acoustics. En: Sound generation in wind, strings, computers. Royal Swedish Academy of Music.
• Benade, A.H. (1992):Horns, strings, and harmony. Dover.
• Ferrer, R., Massmann, H. (1993): Instrumentos musicales. Artesanía y ciencia. Dolmen.
• Gibson, O.L. (1994): Clarinet acoustics. Indiana University Press.
• Gómez, R. (1989): Apuntes sobre la acústica de los instrumentos de percusión. [Parcial de acústica musical.]
• Hutchins, C.M. (1981): Acústica de las tablas del violín. Investigación y Ciencia, nº 63.
• Hutchins, C.M. (1997): Research papers in violin acoustics 1975-1993. ASA.
• Jansson, E.V. (1979): On sound radiation of musical instruments. En: Music, room, acoustics. Royal Swedish Academy of Music.
• Jansson, E.V. (1979): On the acoustics of musical instruments. En: Music, room, acoustics. Royal Swedish Academy of Music.
• Jansson, E.V. (1983): Acoustics for the guitar maker. En: Function, construction and quality of the guitar. Royal Swedish Academy of Music.
• Jansson, E.V. (1983): Acoustics for the guitar player. En: Function, construction and quality of the guitar. Royal Swedish Academy of Music.
• Moore, J.L. (1978): Acoustics of bar percussion instruments. Permus Publications.
• Nederveen, C.J. (1998): Acoustical aspects of woodwind instruments. Northern Illinois University Press.
• Rossing, T.D. (1983): Física de los timbales. Investigación y Ciencia, nº 76.
• Sundberg, J. (1977): La acústica del canto. Música y Tecnología, publicado originalmente en Investigación y Ciencia, mayo 1977.
• Sundberg, J. (1979): Singing and timbre. En: Music, room, acoustics. Royal Swedish Academy of Music.

escalas y afinaciones

• Barbour, J.M. (1953): Tuning and temperament. Michigan State College Press.
• Cattoi, B. (1978): Apuntes de acústica y escalas exóticas. Ricordi.
• DiVéroli, C. (1978): Unequal temperaments; and their role in the performance of early music. Edición del autor.

paisaje sonoro

• Schafer, R. Murray (1977): The tuning of the world. Alfred A. Knopf.
• Truax, Barry (1984): Acoustic communication. Ablex.

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Consultas:
Prof. Daniel Maggiolo
demp@eumus.edu.uy

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url: www.eumus.edu.uy/docentes/maggiolo/acu/acubib.html
actualización: marzo del 2002